Archived items are listed in reverse order of publication date.
Ifat Glassman discusses her artwork, her atelier education, and her plans for the future. The interview is accompanied by images of several of her artworks.
Provides a myth-busting introduction to the Objectivist ethics. (Does not contain spoilers about the novel.)
Mr. Larsen discusses his work, how he became a painter, who and what inspires him, and why his subjects always look so purposeful. Includes ten high-resolution images of his paintings.
Examines these opposing philosophies in the story, characters, and theme of Ayn Rand’s great novel.
Ms. Mann discusses how she became an artist, her favorite painters, her own works and techniques, and the respective roles of the conscious mind and the subconscious in the process of painting.
Discusses the collections and virtues of the NGA, compares it to other museums in America, and concludes that the NGA is the fairest of all.
Provides a concise history of the efforts to adapt Atlas for the screen.
Discusses the film, how it came together, choice of screenwriter and director, casting, score, and distribution.
Shows how the novel brilliantly dramatizes the essential principles of this science along with the fallacies involved in denying those principles.
Repotting Harry Potter: A Professor’s Book-by-Book Guide for the Serious Re-Reader, by James W. Thomas
Reviews the Korean television series Dae Jang Geum, whose “breathtaking cinematography, beautiful costumes, mouthwatering food, and rich soundtrack integrate with [a] profound story to create a superlative work of art.”
An Interview with Yaron Brook
Explains why, more than fifty years ago, Rand was able to project the kinds of crises we are seeing today.
Casts certainty on why the movie Doubt is leaving viewers wondering whether they can know anything for sure.
Examines four paintings by Friedrich (plus one by Theodor Kittelsen), analyzes them by means of a new concept Mr. Boeckmann calls design-theme, and integrates them under the concept of “visual romanticism,” thus going a distance toward objectively defining that school. (The article is accompanied by five color images of the paintings discussed.)
Surveys MacLean’s major works (including The Guns of Navarone and Where Eagles Dare); indicates their value to readers who love men of intelligence, ability, and courage; and incites a keyboard stampede to Amazon.com for the used copies of MacLean’s books, which are tragically out of print.
Celebrates the fiftieth anniversary of Ayn Rand's magnum opus (which was published on October 10, 1957) by examining key aspects of the book's artistic elements. Focusing on Rand's dramatization of the plot-theme, her use of literary techniques, and the nature and significance of key figures in the story, Bernstein shows how Rand employed such elements to tap the full potential of this supremely conceptual art form and thus to create a thoroughly integrated novel.
Provides a step-by-step method for viewing, assessing, and enjoying this rich visual medium. The article is accompanied by fifteen images of the paintings discussed, some of which are a feast, others of which are a foil. (As always larger images of the paintings can be viewed at our website.)
Examines the popular television series House, M.D., zeros in on its main flaw—acceptance of the reason-emotion dichotomy and all that it entails—and shows why this potentially excellent show is tragically mixed.
Examines the relationship between art and fundamental philosophic ideas by considering the Kantian notion that man cannot know reality by means of reason—a notion that became increasingly prevalent over the course of the 1800s—in connection with the works and words of 19th-century French painters and art critics, who, correspondingly, became increasingly hostile to reason over the same period. The article is accompanied by fifty-eight color images of the paintings discussed, which range from the sublime to the grotesque.
Examines two equestrian sculptures—George Washington, by Henry Kirke Brown, and the Cid, by Anna Hyatt Huntington—and demonstrates a method by which to approach such works in order to reap the most enjoyment from them.