19th-Century French Painting and Philosophy
Examines the relationship between art and fundamental philosophic ideas by considering the Kantian notion that man cannot know reality by means of reason—a notion that became increasingly prevalent over the course of the 1800s—in connection with the works and words of 19th-century French painters and art critics, who, correspondingly, became. . . Continue »
Getting More Enjoyment from Art You Love
Examines two equestrian sculptures—George Washington, by Henry Kirke Brown, and the Cid, by Anna Hyatt Huntington—and demonstrates a method by which to approach such works in order to reap the most enjoyment from them.